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The 40 Best Movies on Netflix Right Now

John Hurt, Jamie Bell, and Chris Evans in Bong Joon-ho's Snowpiercer (2013).
John Hurt, Jamie Bell, and Chris Evans in Bong Joon-ho's Snowpiercer (2013).
RADiUS/TWC

With thousands of titles available, browsing your Netflix menu can feel like a full-time job. If you're feeling a little overwhelmed, take a look at our picks for the 40 best movies on Netflix right now.

1. (2019)

Martin Scorsese’s long-in-the-making epic brings together three of the mob genre’s heaviest hitters in Robert De Niro, Al Pacino, and Joe Pesci. But the story of Frank Sheeran (De Niro), who alleged he befriended and then betrayed union leader Jimmy Hoffa (Pacino), isn’t your typical organized crime movie. It takes its time to examine the toll of a criminal life, from the alienation of Sheeran’s family to the fate that awaits old men no longer capable of resolving their problems with violence. The de-aging effects aren’t always convincing, but Scorsese’s ability to weave a captivating gangster tale remains timeless. —Jake Rossen

2. (2019)

Director Noah Bambauch drew raves for this deeply emotional drama about a couple (Adam Driver, Scarlett Johansson) whose uncoupling takes a heavy emotional and psychological toll on their family. —JR

3. (2019)

Eddie Murphy ended a brief sabbatical from filmmaking following a mixed reception to 2016's Mr. Church with this winning biopic about Rudy Ray Moore, a flailing comedian who finds success when he reinvents himself as Dolemite, a wisecracking pimp. When the character takes off, Moore produces a big-screen feature with a crew of inept collaborators. —JR

4. (2018)

When Marvel promised a comic book film of unprecedented scale with Avengers: Infinity War, they were not messing around. This film, one of 2018’s biggest, was the culmination of a decade of planning, casting, and cinematic storytelling all pulled into one massive movie event. It would be impressive for its ambition and scope alone, but it’s also perhaps the best attempt yet to tell a comic book crossover story on the big screen. —Matthew Jackson

5. (2018)

Heavily maligned for booting original directors Phil Lord and Christopher Miller in favor of Ron Howard, Solo doesn't break any new ground for the storied Star Wars franchise. What it does do is manage to navigate its well-publicized production troubles to deliver a generally satisfying and entertaining origin story of reluctant hero pilot Han Solo, played with sufficient swagger by Alden Ehrenreich. His space scoundrel charm doesn't come as easily as it did for Harrison Ford, but the production design and pulp novel-paced narrative make for a movie that might be the most light-on-its-feet of the Disney-era Star Wars chapters to date. —JR

6. (2018)

Fans of the Coen brothers get a trail mix of stories in this anthology set in the Old West. A gunslinger (Tim Blake Nelson) proves to be a little too arrogant when it comes to his skills; an armless and legless man (Harry Melling) who recites Shakespeare for awed onlookers begins to grow suspicious of his caretaker’s motives; a dog causes unexpected grief while following a wagon train. Knitted together, the six stories total are probably the closest we’ll get to a Coen serialized television series that this feature was once rumored to be. —JR

7. (2018)

Spider-Man may be in the middle of a Disney and Sony power struggle, but that didn't stop this ambitious animated film from winning the Oscar for Best Animated Feature at the 2019 Academy Awards. Using a variety of visual style choices, the film tracks the adventures of Miles Morales (Shameik Moore), who discovers he's not the only Spider-Man in town. —JR

8. (2018)

Alfonso Cuarón’s tribute to his upbringing in 1970s Mexico City tells the story of a housekeeper (Yalitza Aparicio) watching over the children of her employers after their father runs off with his mistress. Cuarón’s film is a living photograph, an intensely personal story that holds no major surprises aside from the sheer craft it took to make it a reality. —JR

9. (2017)

If you didn’t think the adventure of a young girl and her super pig could make you pump your fist in the air, it’s time to check out this quirky firecracker from Bong Joon-ho. Thought-provoking and breathtaking? That’ll do, super pig. —Scott Beggs

10. (2016)

Taylor Sheridan's Oscar-nominated Hell or High Water follows two brothers (Chris Pine and Ben Foster) who take to bank robberies in an effort to save their family ranch from foreclosure; Jeff Bridges is the drawling, laconic lawman on their tail. —JR

11. (2016)

Barry Jenkins’s trailblazing film, which won the Oscar for Best Picture, chronicles the life of Chiron (Alex Hibbert, Ashton Sanders, Trevante Rhodes) as he grows up under the burden of his own and others’ responses to his homosexuality. It’s a stirring portrait anchored by phenomenal performances (including an Oscar-earning turn from Mahershala Ali). —SB

12. (2016)

Vibrant, effervescent, and deeply weird, Paul Dano stars in this musical collage as a depressed loner stranded on an island until he finds a talking, farting corpse played by a very post-Harry Potter Daniel Radcliffe. They save one another and, together, attempt to get back to civilization while singing the praises of Jurassic Park. —SB

13. (2015)

Delicately crafted with an eye toward historical accuracy, this existential horror film focuses on a New England farming family in the wilds of 1630 who believe a witch has cursed them. Anya Taylor-Joy’s standout performance acts as a guide through the possessed-goat-filled insanity. —SB

14. (2015)

Colin Farrell stars in a black comedy that feels reminiscent of screenwriter Charlie Kaufman's work: A slump-shouldered loner (Farrell) has just 45 days to find a life partner before he's turned into an animal. Can he make it work with Rachel Weisz, or is he doomed to a life on all fours? By turns absurd and provocative, The Lobster isn't a conventional date movie, but it might have more to say about relationships than a pile of Nicholas Sparks paperbacks. —JR

15. (2015)

A woman (Brie Larson) is held captive by a deeply disturbed man for seven years. During that time, her son (Jacob Tremblay) has never experienced the outside world. That kind of set-up is usually reserved for thrillers, but Room is not as interested in Larson’s potential escape as much as it is in her courage giving her son sanctuary in an unsafe space. Larson won an Academy Award for the role. —JR

16. (2014)

Alex Garland's quiet—and quietly subversive—robot parable didn't arrive with all the hype of a major studio sci-fi release but still manages to outdo most big-budget android tales. As the enigmatic CEO of a robotics company, Oscar Isaac uses an underling (Domhnall Gleeson) to test his eerily lifelike AI (Alicia Vikander). But Gleeson may be the one who's really being tested. —JR

17. (2013)

The camera rarely wavers from Tom Hardy in this existential thriller, which takes place entirely in Hardy's vehicle. A construction foreman trying to make sure an important job is executed well, Hardy's Ivan Locke grapples with some surprising news from a mistress and the demands of his family. It's a one-act, one-man play, with Hardy making the repeated act of conversing on his cell phone as tense and compelling as if he were driving with a bomb in the trunk. (Oscar-winner Olivia Colman and her fellow Fleabag co-star Andrew Scott are two of the people whose voices we hear on the other end of the line.) —JR

18. (2013)

Years before Bong Joon Ho made Oscar history in 2020 with Parasite, he adapted French graphic novel Le Transperceneige into Snowpiercer (which will be turned into a television series with Jennifer Connelly later this year). In a dystopian future—in sci-fi, there may not be any other kind—a train carrying cars separated by social class circles the globe. Soon, the have-nots (led by Chris Evans) decide to defy authority and get answers from those in charge. —JR

19. (2013)

Jake Gyllenhaal has an uneasy feeling that his exact double—a man who looks like him but is substantially more successful—is intruding on his own life. The Gyllenhaal collision is the foundation for this psychological thriller from director Denis Villeneuve, who offers no pat answers but an effective undercurrent of dread. —JR

20. (2013)

Scarlett Johansson explores alien seduction as a being from another world who arrives on Earth to pursue companionship. Unfortunately, she prefers short-term commitments. This erotic sci-fi drama was nominated for Best British Film at the BAFTA awards, the British equivalent of the Oscars. —JR

21. (2013)

The perils of falling in love with artificial intelligence are at the core of Her, which features a terrific performance by Joaquin Phoenix as a rumpled office worker who finds his soulmate in something without a soul: An Alexa-esque disembodied voice (Scarlett Johansson). —JR

22. (2012)

Director Paul Thomas Anderson delivers a steady but absorbing tale of a World War II veteran (Joaquin Phoenix) who falls under the spell of a charismatic philosopher (Philip Seymour Hoffman) whose teachings soon become the focus of a cult movement. Both Phoenix and Hoffman were nominated for Academy Awards. Of the films he’s directed, which include 1997’s Boogie Nights and 2004’s There Will Be Blood, Anderson has said The Master is his favorite. —JR

23. (2010)

A rare adaptation for writer/director Edgar Wright brings Bryan Lee O’Malley’s popular graphic novel series to life. Michael Cera is perfectly cast in the title role as an awkward young man who is determined to win the heart of the woman he loves (Mary Elizabeth Winstead) by literally winning video game style battles against her “Seven Evil Exes.” Wright throws every trick in his book at the screen, and the result is a film you can watch again and again. —MJ

24. (2010)

From laughingstock to maestro of one of Great Britain’s finest public addresses, The King’s Speech tells the true story of King George VI’s triumph over stuttering. The film took home Oscars for Best Picture, Best Director (Tom Hooper), Best Actor (Colin Firth), and Best Original Screenplay (David Seidler). —James L. Menzies

25. (2009)

Larry Gopnik (Michael Stuhlbarg) is a man whose faith is being tested at home, at work, and all points in between. A Serious Man is equal parts dark comedy and existential drama, and it’s a perfect encapsulation of why the Coen brothers are masters at their craft. —JS

26. (2009)

An ensemble cast (Richard Gere, Don Cheadle, Ethan Hawke, and Wesley Snipes) navigate the temptations and pitfalls inherent in police work in this drama from director Antoine Fuqua. Producer John Langley also created the long-running reality TV series Cops for Fox. —JR

27. (2009)

Sam Bell (Sam Rockwell) has been alone on a lunar mining mission for three years, but his isolation comes to an end one day when a stranger shows up at his facility—and this mystery man happens to look just like him. —JS

28. (2009)

Speaking of treks into the past, Quentin Tarantino’s Nazi-hunting, scalp-retrieving mission is available to stream without the danger of highly flammable nitrate film reels. Our introduction to Christoph Waltz as a charming villain, who faces off against Brad Pitt’s American GI and Mélanie Laurent’s French Jewish cinema owner as everyone tries to kill Hitler. —SB

29. (2008)

Few people can pull off the role of an 18th century aristocrat as well as Keira Knightley. In this case, she's forced to contend with a cruel and philandering husband (Ralph Fiennes) who makes it clear that his only use for his wife is for her to produce a male heir. But the Duchess knows that two can play at this game, and begins a scandalous (and not-quite-hidden) affair with a rising politician (Dominic Cooper). Come for the compelling period drama, stay for the stunning costumes. —Jennifer M. Wood

30. (2006)

Following the end of the Spanish Civil War, a young girl (Ivana Baquero) escapes the turmoil of her militant stepfather and ill mother by exploring a hidden labyrinth that houses a variety of strange creatures. Director Guillermo del Toro was praised for his specialty: weaving a fairy tale with sharp edges. —JR

31. (2002)

Chronicling the true story of Polish-Jewish pianist Władysław Szpilman (Adrien Brody), The Pianist is widely considered one of the best World War II accounts ever committed to film. As Nazis overrun Warsaw, Szpilman tries to maintain his sanity by clinging to the only thing that makes sense in an increasingly senseless world: His love of music. —JR

32. (2001)

The controversially sensual road movie that put Gael García Bernal and Diego Luna on the international map scored an Oscar nomination for writer/director Alfonso Cuarón. It's hard to believe he followed up this drug-and-sex-filled coming-of-age trip with a Harry Potter movie. —SB

33. (1976)

Robert De Niro drew justifiable accolades for his portrayal of Travis Bickle, a mentally askew cab driver in the hellscape of 1970s New York City in director Martin Scorsese's gutter noir masterpiece. --JR

34. (1999)

Keanu Reeves utters many a "whoa" on his way through this sci-fi classic about a computer programmer who discovers reality is just an artificial simulation. Bullet Time is still just as spectacular as it was when the film premiered 20 years ago. —JR

35. (1992)

James Ivory's adaptation of E.M. Forster's 1910 novel tells the story of free-spirited Londoner Margaret Schlegel (Emma Thompson) who befriends a dying woman, Ruth Wilcox (Vanessa Redgrave), who ends up bequeathing Margaret her beloved country home, Howards End. It's a stroke of luck for Margaret, who is about to be ousted from the home she has leased for years, but the Wilcox family feels that something is amiss. As Ruth's widower attempts to investigate the situation, he finds himself falling under Margaret's spell. —JMW

36. (1986)

Spike Lee’s feature directorial debut also sees him playing one of three men under the thumb of Nola Darling (Tracy Camilla Johns). None of them can stand Nola’s gender-reversing approach to casual relationships, and the three hope to goad her into living a monogamous life. Nola, however, wants to pursue happiness on her own terms, not society’s. Lee’s love letter to Brooklyn is still a standout in his filmography, which quickly grew to include 1989’s Do the Right Thing and 1992’s Malcom X. —JR

37. (1996)

Sports agent Tom Cruise wrestles with clients--including the charismatic and Oscar-winning Cuba Gooding Jr.--as well as love in Cameron Crowe's winning dramedy that continued Cruise's run of '90s hits. --JR

38. (1981)

All four Indiana Jones movies are on Netflix, but the original still stands its ground as the best in the series and one of the finest action movies ever made. Indy (Harrison Ford) pursues the Lost Ark of the Covenant while evading and diverting Nazis chasing the power the Ark is believed to contain. —JR

39. (2017)

Jon Bernthal is a broken-down former rodeo champ who runs a modest motel in a remote Alaskan town. Trouble arrives in the form of a mysterious stranger (Christopher Abbott) who may have something to do with a series of murders. It's a slow burn of a character study, with Bernthal turning down his intensity to portray a man learning to live with the diminished abilities he's got left. --JR

40. (1975)

The Monty Python team delivers their best-known work, a silly and sharply satirical feature that uses the King Arthur legend as a springboard for sequences that feature brave-but-armless knights and highly aggressive rabbits. Opening to mixed reviews, it’s since become a perennial entry in lists of the best comedies ever made. —JR

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Poike/iStock via Getty Images Plus
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8 Surprising Facts About Jean-Claude Van Damme

Jean-Claude Van Damme.
Jean-Claude Van Damme.
Patrick Aventurier, Getty Images

While Arnold Schwarzenegger and Sylvester Stallone were considered the apex of the 1980s action movie hero, genre fans found a more graceful alternative in Jean-Claude Van Damme. The Belgian-born and martial artist used his flexibility to great effect in action classics like 1988’s Bloodsport, 1989’s Kickboxer, and 1994’s Timecop全天幸运飞艇数据网页。. For more on the “Muscles from Brussels,” including his competitive fighting background and why he once challenged Steven Seagal to a real fight in Stallone’s backyard, read on.

1. Jean-Claude Van Damme was a ballet “nerd.”

Actor Jean Claude Van Damme attends the Jean Claude Van Damme Photocall at the Majestic Beach during the 61st International Cannes Film Festival on May 17 , 2008 in Cannes, France.
Jean Claude Van Damme attends the Cannes Film Festival.
Francois Durand/Getty Images

全天幸运飞艇数据网页。Kicking out of his mother’s womb on October 18, 1960 in Berchem-Sainte-Agathe, Brussels, Belgium, the future Van Damme was Jean-Claude Camille François Van Varenberg. (He used the stage name “Frank Cujo” before settling on Van Damme.) A self-described “nerd,” Van Damme karate and ballet in his youth, the latter for five years. He said his father encouraged him to take karate in order for the bespectacled Van Damme to be able to toughen up. But Van Damme also said ballet greatly aided his martial arts ability and screen presence.

“I was always attracted to ballet because of the dexterity, the stretching, the grace, and the fact that you are able to control without showing any pain on your face,” Van Damme told the Chicago Tribune in 1993. “I mixed the grace and the movement with the power of karate. It’s been a big help in my movies.”

2. Jean-Claude Van Damme worked as a bouncer for Chuck Norris.

Van Damme a gym in Brussels and had success in bodybuilding and modeling, but he wanted to act. Heading to Hollywood in his early 20s to pursue his dreams of stardom, Van Damme picked up bits parts in films like 1984’s Monaco Forever (he was officially as “Gay Karate Man”) and a future GIF-worthy in 1984’s Breakin’ while as a cab driver, waiter, and bouncer, among other odd jobs. Most notably, he bounced for Woody’s Wharf, a bar owned by martial arts icon Chuck Norris. “American people are big people,” Van Damme The Hollywood Reporter全天幸运飞艇数据网页。 in 2019. “I didn’t have any fight, thank God. I was a good schmoozer, simpatico and no incident happened.”

3. Jean-Claude Van Damme got his big break by throwing kicks at a producer’s head.

Jean-Claude Van Damme in 'Bloodsport' (1988)
Jean-Claude Van Damme in Bloodsport (1988).
Metro-Goldwyn-Mayer Studios Inc.

After a tense shoot on 1987’s Predator, in which Van Damme as the titular alien but was replaced during production, the actor wanted to find a role better-suited to his talents. One day, he found himself crossing paths with B-movie producer Menahem Golan. Seizing the opportunity, Van Damme launching kicks at Golan, stopping short of connecting. This earned him a meeting in Golan’s office, in which a shirtless Van Damme convinced Golan he was skilled, charismatic, and most importantly, cheap. Golan cast him in 1988’s Bloodsport, a martial arts tournament film ostensibly based on the real-life exploits of Frank Dux. Van Damme helped re-cut the film with screenwriter Sheldon Lettich and Carl Kress, an editor who worked on 1974’s The Towering Inferno. Bloodsport went on to make $65 million, turning Van Damme into an overnight star.

4. Jean-Claude Van Damme once threw a papaya at a producer’s head.

The success of Bloodsport led to steady work for Van Damme, who appeared in 1989’s Kickboxer, 1990’s Lionheart, and 1991’s Double Impact. In the latter, he played twins out to avenge the death of their father. But the production was troubled. In 2019, Van Damme Yahoo! that the producer of the film was attempting to divert funds from Double Impact to 1991’s Stone Cold, an action vehicle for NFL star Brian Bosworth. Van Damme grew so upset that he threw a papaya at the producer’s head. “Thank God he ducked,” Van Damme said. “[It splattered] all over the wall. And he just ran away to the airport. I was crazy at the time. You just don’t touch my movie.”

5. Jean-Claude Van Damme once challenged Steven Seagal to a fight at Sylvester Stallone’s house.

According to Sylvester Stallone, a fight between the two action stars nearly happened off-camera. In 1997, Stallone both Van Damme and actor Steven Seagal to a house party at Stallone’s property in Miami, Florida. At some point, Van Damme expressed irritation that Seagal had previously claimed he could best Van Damme in a fight. Van Damme demanded Seagal follow him outside to settle it, which Stallone claimed Seagal avoided. Later, the two were at a nightclub when Van Damme again confronted Seagal, who slipped out “like Houdini,” according to Stallone.

6. Jean-Claude Van Damme knows his film titles can get repetitive.

Many Van Damme films have some variation of “death” or “dead” in the title, a fact Van Damme is well aware of. Promoting his Amazon Prime series Jean-Claude Van Johnson in 2017, the actor joked about the generic flavor of the films. “For a while, I was kind of forgotten there,” he Rolling Stone. "'OK, Jean-Claude, what’s he doing?' Sudden Death, March of Death, Dead Dead Dead, and Double Dead, and what was the last one? Dead on Dead.” Van Damme's most recent live-action was 2019's We Die Young.

7. Jean-Claude Van Damme gave one of Time magazine’s Great Movie Performances of 2008.

At times dismissed for being more of a physical performer than an actor, Van Damme earned critical praise in 2008 for JCVD, a meta film in which he himself dealing with both a bank heist and the torment of self-reflection. In one six-minute monologue, Van Damme lays himself bare. TIME dubbed it one of the great performances of the year.

8. Jean-Claude Van Damme has two statues dedicated in his honor.

In 2012, a paying tribute to Van Damme debuted in Brussels, Belgium in front of the Westland Shopping Center. The towering sculpture depicts Van Damme in a martial arts posture, ready to strike. Van Damme also has a second statue his likeness, this one in the country of Azerbaijan. The piece, which features Van Damme doing his trademark splits, is located in the village of Vandam.

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